Derek Long

Associate Professor
Director of Graduate Studies (ICR)

Affiliations

  • Department of Media & Cinema Studies
  • Institute of Communications Research

Education

  • Ph.D., Communication Arts, University of Wisconsin–Madison, 2017 
  • M.A., Film Studies, Emory University, 2010 
  • B.A., History, Middlebury College, 2008

Course Specialties

  • Film History
  • Media Distribution
  • Digital Tools and Historiography

Background

Derek Long is a historian of media industries, specializing in the Hollywood studio system, film distribution, and digital approaches to cinema history. His first book, Playing the Percentages: How Film Distribution Made the Hollywood Studio System (University of Texas Press, 2024), examines the history of film distribution as a dynamic struggle over booking, marketing, and sales practices in the 1910s and 1920s. His articles have been published in Cinema JournalFilm HistoryHistorical Journal of Film, Radio, and TelevisionThe Velvet Light Trap[in]Transition, among other journals and anthologies.

His work also applies digital datasets and tools to questions of media history. As a member of the Project Arclight team, he helped to map “trends” in media history to quantitatively assess the cultural influence of stars, films, studios, the trade press, and other institutions. As creator and manager of Early Cinema History Online (ECHO), a database based on the extensive work of film historians Einar Lauritzen and Gunnar Lundquist, he has indexed and compiled filmographic information covering over 35,000 individual films released in the United States from 1908–1920.

Here at the College of Media, he has taught MACS courses in world cinema, production, film theory, animation history, and graduate media historiography. His other research interests include animation, videographic criticism, early cinema, broadcasting history, avant-garde and cult cinema, and low-budget filmmaking.

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Derek Long

Contact

217-300-6205

Josh Heuman

Senior Lecturer

Affiliations

  • Department of Journalism
  • Department of Media & Cinema Studies

Education

  • PhD, Communication Arts / Media and Cultural Studies, University of Wisconsin-Madison
  • MA, Communication Arts / Telecommunications, University of Wisconsin-Madison
  • BA, French and Comparative Literature, University of Illinois at Urbana-Champaign

Course Specialties

  • JOUR 205: History of American Journalism
  • MACS 100: Introduction to Popular TV & Movies
  • MACS 264: Creative and Information Economies​

Background

Dr. Heuman’s research explores media industries and regulation (especially television), with an emphasis on the regulation of media work. His different projects come together in a concern for the cultural life of media industries and their regulation (from content regulation as a style of cultural criticism to the gendered culture of television writers’ rooms), pursuing often neglected documents and discourses (from submissions to administrative and legal proceedings to how-to manuals for online investors and radio and television writers). His current projects follow the historical formation of the professional broadcast writer, from law and policy to contract and organization.

Dr. Heuman’s teaching ranges widely across the field of media studies, including courses in media industries; media law; media history; media theory; and media genre, narrative, and style.

Alongside these main lines of research and teaching, he’s also glad to think and talk about a broader range of interests across the field of media studies, and across the varied forms, genres, and periods of media.

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Josh Heuman

Contact

217-300-7069

Charles “Stretch” Ledford

Associate Professor

Affiliations

  • Department of Journalism
  • Center for African Studies

Education

  • M.A., Multimedia Journalism, University of Miami 
  • B.A., Journalism and Psychology, University of North Carolina at Chapel Hill

Course Specialties

  • Visual and Audio Journalism

Background

Recipient of the 2020 Illinois Student Government Teaching Excellence Award and named the 2014 Associated Press Media Editors Innovator of the Year for College Students, Stretch Ledford has worked as a journalist telling stories through audio, photographs and video in more than 55 countries. His career began as a staff photojournalist for The State (Columbia, SC), The Fayetteville (NC) Observer, The Durham (NC) Morning Herald, The St. Petersburg (FL) Times (now the Tampa Bay Times) and The Commission, the journal of the Southern Baptist Foreign Mission Board. 

As a freelance photojournalist and advertising photographer, Ledford has been published by The Atlantic, Consumer Reports, Health, Ladies Home Journal, Mens Journal, Modern Maturity, Newsweek, Outside, POZ, Readers Digest, Smithsonian, Time, USA Weekend, The Washington Post Sunday Magazine, the Washingtonian, The Associated Press, Black Star, Knight Ridder/Tribune News, United Press International, The Wall Street Journal, Advanced Micro Devices, Arnold Worldwide, Bank One, CNN, Continental Airlines, Cryolife, Deere & Company, Dominion, DuPont, Freddie Mac, Genworth, Geico, Kindercare Learning Centers, KPMG, The Martin Agency, Mazda, Nike, Ogilvy & Mather, Ping, the Rocky Mountain School of Design, the Royal Bank of Canada, Ryder, Sanofi-Aventis, Shell, Sports Illustrated, Tillamook Creamery, Trigon/Blue Cross, the United States Chamber of Commerce, the Virginia Department of Transportation, Wal-Mart, Washington Mutual Bank, Whole Foods Market, XCel Energy, CARE, Catholic Relief Services, Food for the Hungry, the Grossman Burn Foundation, Habitat for Humanity, Junior Achievement Worldwide, MercyCorps, Project Angel Heart, Project HOPE and the YMCA. 

Since joining the Illinois faculty in 2011, Ledford’s work has been featured online and/or broadcast by major news organizations around the world, including NPR’s Morning Edition, NBC’s Nightly News with Brian Williams, the Today show, Time, the Huffington Post, The Weather Channel, the BBC, The Atlantic, Esquire, the Wall Street Journal, the Globe and Mail (Toronto), the Guardian (London), the Nippon Television Network (Japan), Gawker, Vice and Forbes.

Galleries and museums in Colorado, North Carolina, Florida, Illinois, Nebraska and Virginia have displayed Ledford’s photographs. His work has been recognized with awards from the National Press Photographers Association, the Online News Association, the Association for Education in Journalism and Mass Communication, the New York Art Directors Club, the International Photography Awards and Communication Arts Magazine’s Photography Annual.

Research and Creative Endeavor

We fragile humans are more prone to label one another, to place one another into groups and to revert to the insularity of our various tribes than we are to recognize our innate commonalities. Doing so is easy, risk free and readily dismissed as “just human nature.”

But there also exists a deeper human nature that longs for recognition by and connection with the phenomenological Other. If there’s any single motivating factor behind my work it is my desire for it to provide a pathway for that deeper Self to recognize the connectedness it shares with the Other. Psychologists would call this “catalyzing humanistic empathy;” for journalists, it’s “promoting civil discourse.”

Since I began making photographs as a journalist in 1983, my cameras have taken me to more than 50 countries – places with exotic sounding names like Ouagadougou and as isolated geographically as the Sangihe Islands in the western Pacific. I have photographed Ronald Reagan in the Oval Office, Mother Teresa in an earthquake zone and both Bill and Hillary Clinton (and Donald Trump) on the campaign trail. I have photographed people on the verge of starvation, several women giving birth and any number of weddings.  I have been detained by police or military units in three countries as I worked to make photographs that would get below surface appearances and tell meaningful stories.

Throughout, my goal is to find, capture and produce stories that foster the shared sense of community that I believe defines our deepest human nature.

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Charles "Stretch" Ledford

Contact

217-333-1259

Brant Houston

Knight Chair Professor in Investigative and Enterprise Reporting

Affiliations

  • Department of Journalism

Background

Professor Brant Houston holds the John S. and James L. Knight Foundation Chair in Investigative and Enterprise Reporting at the University of Illinois. Houston teaches investigative and advanced reporting in the Department of Journalism in the College of Media at Illinois.

He also oversees the online newsroom at Illinois, CU-CitizenAccess.org, which serves as a lab for digital innovation and data journalism. 

Houston became the chair in 2007 after serving for more than a decade as the executive director of Investigative Reporters and Editors (IRE), a 5,000-member organization, and as a professor at the University of Missouri School of Journalism. Before joining IRE, he was an award-winning investigative reporter at daily newspapers for 17 years.

Houston is the author of six editions of the textbook, Computer-Assisted Reporting: A Practical Guide, and co-author of the fourth, fifth and sixth editions of The Investigative Reporter’s Handbook, and Changing Models for Journalism: Reinventing the Newsroom. He co-founded the Global Investigative Journalism Network in 2003 and serves as chair of its board of directors. He also co-founded the Institute for Nonprofit News in 2009. He has taught and spoken about investigative and computer-assisted reporting at newsrooms and universities in 25 countries.

Currently he is working on projects involving nonprofit journalism newsrooms, digital tools for news-gathering, and new business models for journalism.

In 2022, Houston helped preserve the investigative news content of the website FairWarning.org with the University of Illinois Archives.

Select Publications

Recent Books

Recent Articles

Recent Interviews

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Brant Houston

Contact

217-244-8861

James Hay

Professor and Interim Head

Affiliations

  • Department of Media & Cinema Studies
  • Institute of Communications Research 
  • Unit for Criticism & Interpretive Theory

Education

  • Ph.D., University of Texas-Austin (1982)
  • Degree Certificate, University of Milan, Italy (1979)
  • B.A., University of Texas-Austin (1975)

Course Specialties

  • Theory and Studies of Communication Media 
  • Theory and Studies of Television 
  • Communication/Media Technology 
  • History and Historiography of Communication/Media
  • Cultural Studies 
  • Media/Space (Geography, Architecture, Urban Studies) 
  • Media & Mobility 
  • Globalism and Media/Communication 
  • Media & Power 
  • Cultural Policy and Citizenship Studies 
  • Studies of Modernity

Research and Creative Endeavor

My research concerns a wide variety of media and contexts—from popular media of the 20th century (cinema, television, telephony, radio) to “new media” and forms of “media convergence” to technologies and appliances that are not usually considered “media” (such as cars, buildings, clothes, garage doors, and refrigerators). The forms of analysis that I typically use are interdisciplinary, and informed by a wide variety of theories. Much of my research over the last fifteen years has occurred at the intersection of studies about citizenship and governmentality, media/space (with an interest in architecture, urbanism, design, and geography), Science Studies, and Cultural Studies. My research is oriented as much to past as to the present—as much to residual as to emergent media and their relation to everyday life. Although much of my research is about the U.S. context, some of my research concerns “global” media networks, and some has focused on Italy and Europe.

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headshot of James Hay

Contact

217-244-6011

Victor Font

Senior Lecturer

Affiliations

  • Department of Media & Cinema Studies

Education

  • M.E. Chemical Engineering, IQS, University of Ramon Llull. Barcelona (Spain) 
  • B.S. in Chemistry, Institut Químic de Sarrià (IQS) – University of Ramon Llull. Barcelona (Spain) 
  • Degree in Industrial Marketing, School of Management and Administration (EADA) 
  • Degree in Audio Visual production, Polythecnic University of Catalunya (UPC)

Course Specialties

  • Introduction to Audio Visual Production 
  • Smartphone Cinema: Filming with Smartphones
  • Film Production
  • Film Postproduction

Background

Victor Font founded his own audiovisual company in the ’90s. He has been in the production business for more than 25 years. As principal of Prodimag his professional work has involved direction, production, postproduction, and services for worldwide production companies. 

In 2004 he founded Intermedio, a cinema distribution company, releasing titles for retail and home DVD, including theatrical and rights for TV. Intermedio catalog includes over 200 movie titles and books, some of which have been locally and internationally awarded. 

Victor Font was also involved in documentary production with the Series ISM and produced a documentary piece about Harold Bloom, both projects co-produced with Films Media Group (NY). Special mention to the documentary film Ich Bin Enric Marco, which was in the official selection of Las Palmas International festival (2009) and Locarno Festival (August 2009). 

Awards

  • Annual National prize in the top ten best DVD editions (Cahiers du Cinema) 2005, 2006, 2007, 2008, 2009, 2010, 2011. 
  • 2010 National design prize for DVD and book packaging for Jean Luc Godard & Dziga Vertov group. 
  • 2013 International Award to Best European DVD box edition for Pere Portabella filmography. Il cinema Ritrovato de Bolonia (Cineteca de Bolonia)

Research and Creative Endeavor

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Victor Font

Contact

217-607-6022

Kenneth R. Erdey

Technical Coordinator for Broadcast Operations

Affiliations

  • Department of Journalism

Education

  • M.S., Roosevelt University (Journalism)
  • B.A., Columbia College Chicago (Television Production)

Course Specialties

  • Video Storytelling/Reporting
  • Newscast Production
  • Television Production
  • Video Editing

Background

Erdey previously worked as a news photographer/editor for the television station WCIA in Champaign, Illinois. Other stations include CLTV, WFLD-Fox32, WCIU, CNN Chicago Bureau, all based in Chicago. He is a current board member of the Illinois Journalism Education Association and has served as the Executive Director of the IJEA Fall Conference. He is also a member of the Broadcast Education Association.

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Ken Erdey

Contact

217-244-6276

Dionne Clifton

Senior Lecturer

Affiliations

  • Charles H. Sandage Department of Advertising

Education

  • University of Illinois Urbana-Champaign, BA, Philosophy
  • University of Southern California, MA, Communication Management
  • University of Illinois Urbana-Champaign, MBA

Course Specialties

  • Principles of Sales 
  • Sales Management 
  • Sales and the Consumer

Background

Dionne has an extensive history in business, sales and media. With professional experience in radio, television production, and real estate, she has a unique perspective and dedicated to bridging the gap between academia and industry. Dionne is the Designated Managing Broker/Owner of LIVE Real Estate Group, a real estate brokerage founded in 2018, making real estate more accessible by improving the customer experience. She is a passionate member of the community, often volunteering to causes that improve diversity, access to fair housing, and education. She is an enthusiastic lifetime learner and a true optimist. In her personal time she enjoys travel, food, art, design, and time with family and friends.

Dionne Clifton

Contact

217-300-5699

Stephanie Craft

Karin and Folke Dovring Professor in Journalism and Democratic Society
Associate Dean for Academic and Faculty Affairs

Affiliations

  • Department of Journalism
  • Institute of Communications Research

Education

  • PhD in Communication, Stanford University
  • MA in Journalism, University of Missouri
  • BA in History, Washington University in St. Louis

Course Specialties

  • Introduction to Journalism
  • Journalism Ethics & Diversity
  • History of American Journalism

Background

Before earning a doctorate, Craft worked as a journalist for newspapers in California, Arkansas and Washington. She previously chaired the Journalism Studies faculty at the University of Missouri School of Journalism and is a former head of the Journalism Studies Division of the International Communication Association and of the Media Ethics Division of the Association for Education in Journalism and Mass Communication.

Research and Creative Endeavor

Stephanie Craft’s research addresses news literacy — how is it defined and measured and how improving it can help reduce susceptibility to misinformation and conspiracy theories. She also studies media literacy more broadly, with current work focusing on what older people do or don’t understand about emerging technologies such as AI and how that shapes how they navigate the media. She also writes on issues related to journalism’s norms and ethics and is the co-author of a widely used introductory textbook, Principles of American Journalism, now in its fourth edition. She serves on the editorial boards of the Journal of Media Ethics, Journalism Practice and Journalism & Communication Monographs.

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Stephanie Craft

Contact

217-244-4608

CL Cole

Professor

Affiliations

  • Department of Media & Cinema Studies
  • Institute of Communications Research
  • Department of Gender & Women’s Studies
  • Unit for Criticism & Interpretive Theory
  • African American Studies and Research Program
  • Department of Sociology
  • Department of East Asian Languages and Cultures

Education

  • PhD, University of Southern California
  • PhD, University of Iowa

Course Specialties

  • New Media Literacy
  • Sport & Documentary
  • Queer Studies

Background

Cole is the co-editor of “Women, Sport & Culture” (with Susan Birrell) and “Sport and Corporate Nationalisms” (with Michael Silk and David Andrews). She is currently completing a book manuscript tentatively titled “Good Sports? The Boundaries of American Democracy.” She is the co-editor of the SUNY book series (with Michael Messner), “Sport, Culture & Social Relations,” and editor of the Journal of Sport & Social Issues. She serves on the editorial boards of Cultural Studies — Critical Methodologies, Qualitative Research in Sport & Exercise, and the NYU book series, “Biopolitics: Medicine, Technoscience, & Health in the 21st Century.” She is the recipient of one of the University of Illinois’ Critical Research Initiative Awards and the College of Liberal Arts & Sciences Teaching Award for Excellence in Undergraduate Teaching.

Research and Creative Endeavor

Professor Cole was recently on sabbatical and worked with Chicago’s Beyondmedia Education, a non-profit, media-based social justice organization that works with underserved girls and women.

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headshot of CL Cole

Contact

217-244-1418

College of Media
119 Gregory Hall
810 S. Wright St.
Urbana, IL 61801
217-333-2350