Alum Jon Morgan, 40-year journalism veteran, pursues new writing career

Jon Morgan (BS ’84, journalism), a two-time author and journalist for 40 years, has left his position as senior editor in the Washington bureau at Bloomberg News after 13 years to pursue a freelance writing career.

Prior to joining Bloomberg in 2010, Morgan was senior editor at the Pew Research Center’s Project for Excellence in Journalism. From 1987 to 2008 he held a number of reporting and editing positions at The Baltimore Sun, including assistant city editor, state political editor, and assistant managing editor of enterprise reporting. 

Morgan has written two books on sports economics. He also studied at the University of Michigan as a 2001 Knight-Wallace Fellow.

Jon Morgan

Media alum, veteran CBS News reporter Rick Sallinger passes away

Rick Sallinger (BS ’71, MS ’72, advertising), a Peabody Award-winning veteran CBS News reporter, died on May 8, 2024. He was 74 years old.

After working as a radio reporter in Cleveland and Chicago, Sallinger moved on to television news working at stations in Indianapolis, Denver, and Chicago. 

In 1990, Sallinger became a foreign war correspondent for CNN based in London covering events like the Gulf War, the war in Yugoslavia, and the reunification of Germany. 

He settled in Colorado, joining KCNC-TV, a CBS affiliate in Denver, in 1993 where he worked until his retirement in December 2023.

Sallinger has covered nearly every major Colorado story in recent years including the Columbine High School shootings, the Oklahoma City bombing trials, and the murder of JonBenet Ramsey. 

In 2005, Sallinger won the prestigious George Foster Peabody Award for a series he did on Army recruiting. He was also inducted into the Illini Media Hall of Fame in 2022. Sallinger worked at the University of Illinois student-run radio station WPGU from 1967-71 as an announcer, music, and program director.

Sallinger was inducted into the Heartland Chapter of the National Academy of Television Arts and Sciences Silver Circle in 2023, which honors media professionals who have contributed 25 years or more to the television industry.

Watch a video from CBS Denver highlighting Sallinger’s career and NATAS honor.

Rick Sallinger

Journalism alumna publishes article in ‘Newsweek’

Mary Lynch Snowdon (BS ’86, journalism) wrote an article that was published in Newsweek recently titled “My Talented Son Has Autism. As a Mother, I Feel Like a Dual Citizen.” In the article, Snowdon writes about her experience parenting her son with autism, who is now in his mid-20s and a talented golfer.

Snowdon is a lawyer, consultant, and advocate. She currently resides in Annapolis, Maryland. 

Mary Snowden

Journalism alum Lawrence Ingrassia weaves personal loss with scientific discoveries in second book

Lawrence Ingrassia (BS ’74, journalism) has written a new book, A Fatal Inheritance: How a Family Misfortune Revealed a Deadly Medical Mystery.

A Fatal Inheritance, which will be available on May 14, 2024, narrates the tale of a team of dedicated researchers who solved the medical mystery behind seemingly unrelated cancers devastating his and other families. 

The book has been described as “a compelling personal chronicle of tragedy and triumph.”

Ingrassia is a former business and economics editor and deputy managing editor at the New York Times, having previously spent 25 years at the Wall Street Journal, as Boston bureau chief, London bureau chief, money and investing editor, and assistant managing editor. 

He also served as managing editor of the Los Angeles Times. The coverage he directed won five Pulitzer Prizes as well as Gerald Loeb Awards and George Polk Awards. 

His first book, Billion Dollar Brand Club, chronicles the rise of popular direct-to-consumer e-commerce brands and was shortlisted for several best business book awards for 2020. 

Ingrassia book

Advertising alum Andrea Campos to be alumni speaker at College of Media Convocation



Andrea Campos

When Andrea Campos graduated from Illinois with a bachelor’s degree in advertising, she had no idea she’d be returning 12 years later as the alumni speaker at the 2024 College of Media Convocation ceremony. 

But as an artist and creative entrepreneur whose recent career accomplishments include illustrating a New York Times-bestselling children’s book with celebrities Jimmy Fallon and Jennifer Lopez, Campos has realized life is full of happy surprises, especially if you dare to follow your dreams. 

“If you would have told me in 2012 that I was going to be standing up there (on stage at Convocation), I wouldn’t believe you. I didn’t have it on my radar,” Campos said. “I never would’ve imagined it. Maybe that’s something I’ll touch on in my speech—that we all need to dream bigger, because too often, we like to count ourselves out.”

Campos, who currently resides in Los Angeles, has managed to build a successful career around spreading happiness. 

“I like that I can be an island of joy or a little space of hope in an otherwise stressful world,” Campos said. 

Her bright, colorful, fun illustrations can be found in children’s books like Con Pollo: A Bilingual Playtime Adventure and printed on lunchboxes and other products for children and infants. 

Con Pollo by Andrea Campos

Ironically, the happiness she exudes through her artwork emerged from a time when the entire world was experiencing sadness. 

In March of 2020, after nearly a decade of working as a marketing professional for companies like Gap Inc., Campos was planning to set off on a new path as a freelance photographer.  

“It really felt like it was now or never,” Campos said of her decision to switch careers. “My last day at my full-time job was March 8. And then, you know, days later the world shut down.”

With every photography project canceled due to the COVID-19 pandemic, Campos was left wondering what to do next.

Thankfully, she had saved some money so she decided to concentrate on rebuilding her creative confidence and sought out ways to relieve stress during a chaotic time.

“I decided to focus on creative activities during quarantine, simple things that would bring me joy. You know, the kind of things we used to do as kids when we were sitting at home bored,” Campos said.

She started baking, going on photo walks, and drawing, a childhood hobby she’d neglected since her high school days.     

“As part of my at-home artist residency I started drawing again, and I began to notice that it not only made me feel good, but it also helped me process my emotions,” Campos said. “It’s kind of crazy to think that if it weren’t for the world coming to a halt due to the pandemic, I would have left these treasures buried deep inside of me.”

Campos used an iPad and the Procreate app, which essentially lets users sketch on digital paper, to create “playful, positive, joyful artwork.” 

She started an Instagram page called @dreasdoodles to share her illustrations with family and friends she couldn’t connect with in person. 

Campos said she didn’t realize it at the time, but her Instagram page, which she described as her “little pocket of the Internet where it’s always sunny,” was going to completely change her life.

Campos, who was never formally trained as an artist, gained thousands of followers over the next several months.

Eventually she started to get requests from brands and small business owners to create logos and other marketing materials. 

Almost one year to the day of the inception of @dreasdoodles, Campos received an email that would change her life forever. 

An art director at Macmillan Publishers reached out to ask if she’d be interested in illustrating a celebrity children’s book. 

“When I got that email, my jaw was on the floor,” Campos said.

Later, Campos learned she was one of two artists being considered for the book, which included a chicken named “Pollo” as the main character. 

“Even though I had zero experience, I thought to myself, ‘I am going to do everything in my power to draw the cutest, baddest little chicken the world has ever seen because I know this was meant for me,’” Campos said.

She submitted her designs in April and heard in June that she got the project. 

“It was months and months of me just shaking every time I opened my email. And when I finally got that email, I just started sobbing, like straight up ugly crying,” Campos said. 

Andrea Campos on Jimmy Fallon Show

Soon after, another email came inviting Campos to be a guest on The Tonight Show Starring Jimmy Fallon. Campos went on to do several more interviews with Fallon to help promote their book.

“That was one of those moments that was just so surreal and so special. The book launch for Con Pollo is one of those things I look back at whenever I’m having a bad day and say to myself, ‘I did that,’” Campos said.

After the whirlwind of illustrating a best-selling children’s book, Campos had to consider her next step and knew her advertising and marketing experience could help her build a sustainable art business.

“Sure, I’m not working on campaigns in the same way that I was before, while at agencies. But I am still very much in the business of telling stories through my work,” Campos said. “And that skill set undoubtedly took root right here at U of I.”

Campos said Jason P. Chambers, professor of advertising and associate dean for diversity, equity, and inclusion, made a big impact on her with his teaching style and the way he weaved history into the broader advertising campaigns. 

Steve Hall, senior lecturer in advertising, also stood out in her mind due to his leadership in extracurricular student activities, such as the American Advertising Federation and the National Student Advertising Competition. 

Campos was involved with AAF and, during her senior year, presented at the NSAC. She was awarded AAF’s Most Promising Multicultural Student in 2012, which allowed her to travel to New York for networking opportunities. There, she was able to connect with someone at Energy BBDO, who offered Campos her first advertising job after graduation. 

Campos is grateful for her time at Illinois and was happy to return last fall after Hall invited her to speak to some of his advertising classes. 

These days, Campos is focusing on licensing her artwork, brand collaborations, and speaking engagements, presenting workshops at companies like Google, LinkedIn, and eBay about the power of creativity and the importance of giving yourself time to play. She also is working on writing and illustrating her own picture book.

“My biggest North Star with everything I do is being playful with a purpose and I’m trying to encourage that not only in kids but also in adults,” Campos said. “The last four years have taught me amazing things can happen if we just give ourselves the time to do something just for fun.”

As a first-generation Latina woman, part of her purpose is sharing the beautiful aspects of her Mexican heritage and culture.

When speaking to young children at schools, Campos sees firsthand how much representation matters.

“I’ve had little kids just so excited that someone who speaks Spanish is doing this,” she said. “That’s the stuff that I think will have an impact that I’ll never be able to measure and that’s what makes me so happy.”

Campos has a lot of advice to share. She encourages students to consider their priorities and to remember that growth isn’t always going to be linear.

“Your career doesn’t have to be a ladder. Chances are, it’s going to be a jungle gym,” Campos said. “It’s okay to change your mind and try different things—in fact, I think curiosity is one of the most valuable skills you can have.”

Recent MACS alum reflects on film production ahead of Ebert Center screening

After Party cast+crew

After Party, a short film produced by alum Kat Williams (BS ’22, media and cinema studies), will be featured on Thursday, April 4, at the Knight Auditorium of Spurlock Museum, as part of the screening series presented by the Roger Ebert Center for Film Studies. This year’s Ebert Fellows, who curated the evening’s films, chose the 20-minute short to be shown before the main film screening of Portrait of a Lady on Fire.

Williams worked as producer for After Party in her first major project since graduating in 2022. Based in Chicago, Williams has held various production assistant roles in the independent movie scene.

In a recent interview, Williams described the making of the film and what her time at the University of Illinois taught her about filmmaking. Director Jonah Koslofsky also shared insights on Williams’ impact on After Party and what he hopes viewers will take away from the film. 

Kat WilliamsWhat is After Party about?
Kat Williams
: After Party is a short film about a group of college friends who haven’t seen each other in a while, coming back together post-COVID when we all started hanging out again outdoors. It looks at the changes in their relationships, their dynamics, and how they figure those out and move forward. It’s about connection. It’s about people. It’s about shenanigans. 

What was the filmmaking process like?
Williams:
I first met with director Jonah Koslofsky about this project in October of 2022 and then we started shooting in April of 2023. It was one week of production—we shot for five days. Before that, it was a lot of coordinating, ordering things, finding our location, finding our crew, stuff like that. Then we shot for a week and spent the next several months going through editing, color, sound, and music. This was my first time producing a project front-to-back like that, so it was very fun for me to really explore that and find out what this job is like.

In your role as producer, what did you do for this film specifically?
Williams:
A producer really oversees the project from start to end. A lot of people, when they think of film production, think of just the days that you’re on set. But there’s so much more on the front end and on the back end of that. In the year that we spent working on this project, we were only on set for a week. As a producer, what I do on a day-to-day basis is start with doing a breakdown. You take the script and figure out what you need and then you have to figure out where to get things, and how much it’s going to cost. You start talking to potential crew members, people that you would trust to help you take this from page to screen. Things just kind of fall together. If you get the right people together, you can make anything happen and we were really lucky to have had a good group.

What did Kat Williams bring to the project?
Jonah Koslofsky:
She provided essential feedback and encouragement as I was writing the script. Once the writing was complete, she organized and constructed the budget for the project, and then she and I coordinated the crowdfunding of said budget. She set up our Backstage page and provided valuable input throughout the casting process. She helped assemble our incredible crew and communicated with our entire team so that our shoot was able to come together. Then she found our editor, post-sound editor, and composer so that our post-production could be completed in a timely manner, and now, she’s devising our festival strategy and building our website and press materials. 

This is by no means an exhaustive list of things Kat brought to the project, but more than anything else, she was a support for me and the whole movie when things became particularly stressful or uncertain. Whenever I found myself close to an edge, Kat was able to pull me back to stable ground and towards actually solving the problem. She always believed in the project, and worked day after day to make sure it did not fall apart. After Party would not exist without her.

After Party still

What do you hope students take away from the film? 
Koslofsky:
I hope students enjoy the film! I hope that they are able to see themselves in the ensemble; I hope students recognize the experience of re-entering the world as the pandemic ended and finding oneself increasingly confused. I hope that they read into the film and draw their own conclusions—we were very particular with where certain shots start and end, how certain characters reflect each other. And I hope they laugh at the jokes.

After Party posterHow do you feel about something that you worked on being screened in Champaign-Urbana?
Williams:
I’m so excited. I learned so much about what I do at the University of Illinois. It means a lot to me to get to share this with the campus community and to have the Ebert Fellows sharing this with Portrait of a Lady on Fire, which is one of my favorite movies and also a huge inspiration for the film. It means a lot to have this all coming together like this.

Koslofsky: Screening in Urbana is a huge honor. I love Champaign-Urbana, and I’m so excited to bring the film to the audience here. While the film is set in Chicago, it’s packed with Urbana DNA—in addition to Williams and myself, our director of photography Ella Lubienski is also an Urbana native. It’s a movie made by Urbana people, so it really makes sense to show it to Urbana people.

Are there any particular classes or experiences at the College of Media that helped you for this role? 
Williams:
I took MACS 100 with Dr. Amanda Ciafone, and realized I’m supposed to be studying movies and making them. That changed everything for me. I really loved all those MACS classes, and all of the professors were fantastic. Victor Font was also a huge help with teaching theory, and learning how to apply that on set, learning what all these positions are, what all the equipment is, and how to function on a set. I was also able to get a minor in critical film production, a minor in creative writing, and I got a certificate in international global studies. All of that has really come together in a way that I’m having a lot of fun with now and I get to use those skills all the time, which is exciting.

What advice do you have for MACS and College of Media students?
Williams:
I think the biggest thing is just talking to people—find your people, use your network, make friends. And just have fun with it. Because for me, the whole reason that I started doing this was because I wanted work to be fun and I wanted to enjoy what I’m doing and have something beautiful at the end of it that I can show people.

—Vivian La, Communications Intern

Journalism alumna appointed to Reuters Global Race and Justice team as U.S. Correspondent 

Bianca Flowers (BS ’13, journalism) was recently appointed to Reuters Global Race and Justice team as its first U.S. correspondent.

In her new role, she will pursue new and ambitious projects with a focus on producing agenda-setting coverage in the areas of race, identity, and social justice.

Flowers, who is based in Chicago, has spent the last two years at Reuters covering global steelmakers, agriculture, and construction manufacturing, centered on the integration of automation in manufacturing and the advancement of smart farm technology. 

Her expertise also encompasses coverage of labor unions, including her contributions to reporting on the historic United Autoworkers strike in 2023, the collapse of Silicon Valley Bank’s impact on commercial real estate, and the acquisition of U.S. Steel. 

Prior to joining Reuters, Flowers worked as a senior video journalist for Dow Jones where she covered short and long-form feature stories on personal finance, income equality, and diversity in the tech industry. She was one of the lead writers for MarketWatch’s “The Value Gap,” which  launched in 2020. She conducted in-depth interviews with business leaders and policymakers on reducing racial and social inequalities in various sectors. Flowers began her career at Fortune magazine and has held editorial roles at Learnvest, Investopedia, and ABC News. 

Read the full announcement.

Bianca Flowers

Advertising alum wins prestigious award for ag entrepreneurism

Alumna Karlie Elliott Bowman (BS ’09, ACES; MS ’10, advertising), and her husband Andrew Bowman, were awarded the 2024 Glen “GB” Brandt Prize for Ag Entrepreneurism, announced during the 2024 AgTech Summit hosted by the University of Illinois Research Park.

The prestigious award recognizes a grower, producer, or farmer who exemplifies an entrepreneurial spirit and advances innovation in agricultural practices and products.

Working with the University of Illinois, the Bowmans have developed new popcorn hybrids, resulting in specialty red and blue “hull-less” popcorn. They market the product behind the tagline, “No toothpicks required.” They have also pioneered an automated in-store popcorn demonstration unit, a reflection of their forward-thinking approach to product marketing and customer engagement.

The Bowmans are fifth-generation farmers near Oneida, Illinois, with more than 1,800 acres of corn and soybean seed beans. Karlie is also an account manager at Hill+Knowlton Strategies, one of the world’s leading strategic communications companies. 

Read more about the ag award.

See their consumer site: https://pilotknob.farm

Bowmans

Journalism alum Doug Isbell combines passion for science, writing as NASA JPL risk communication coordinator



Doug Isbell
Doug Isbell (BS ’87, Grainger engineering; MS ’88, journalism) looks for opportunities to talk directly with the public whenever possible, such as at this NASA JPL exhibit booth at a popular summer air show at Hill Air Force Base in Utah, near where samples from Mars may one day land on Earth.

After 36 years in aerospace communications, Doug Isbell still thanks those lucky stars he’s always admired for the opportunity to create a successful career that combines his passion for science and his love of writing. 

Isbell’s fascination with space began when he was eight years old, around the time the last few Apollo missions landed on the moon. From then on, Isbell knew he wanted to be involved in space one day.

“Those [missions] made a big impression on me,” said Isbell, who grew up in the suburbs of Chicago.

Isbell (BS ’87, Grainger engineering; MS ’88, journalism) set his sights on becoming an astronautical engineer, but as he worked his way through the program and the upper-level courses, he started to have some doubts.

“I felt a little like I was not going to be an outstanding engineer and I wondered, how can I still be involved in aerospace? And I thought about writing,” he said.

Isbell did finish his bachelor’s degree in aerospace engineering but went on to get a master’s degree in journalism. Moving to Washington, D.C., to seek a start to his career, his first job was working as a writer for a business technology newspaper, Washington Technology, and then a reporter covering NASA for a weekly newspaper, Space News. 

Four years later, he decided to shift from journalism to the communications side and landed a job at NASA headquarters, eventually becoming a public affairs officer for planetary science. 

During that time, he helped with communications surrounding the Mars Pathfinder mission and the launch of the legendary mission of the Cassini spacecraft to Saturn.

“That was in the middle of a sort of renaissance of planetary science,” Isbell said. “[The Mars Pathfinder mission] was a huge global hit and kind of the first mission of the Internet age.” 

Isbell then spent nearly 10 years as a public affairs officer and director of educational outreach for the National Optical Astronomy Observatory in Tucson, Arizona, and the National Solar Observatory when it was in Tucson (now in Boulder, Colorado). 

He also served as the United States single-point-of-contact for the International Year of Astronomy 2009—a global celebration recognizing the first astronomical observation with a telescope by Galileo Galilei more than 400 years ago. 

Since 2010, Isbell has served as the cross-program risk communication coordinator at NASA’s Jet Propulsion Laboratory in Pasadena, California, working on issues related to space nuclear power and sample return, including the most recent two ongoing Mars rover missions, Curiosity and Perseverance. 

Isbell develops communications materials related to “spacecraft that would carry nuclear materials and nuclear power, and then kind of a growing area of interest is something called planetary protection,” he said. 

Planetary protection is the idea of protecting planets from potential biological contamination during a mission so they can be studied in their original state. It also involves protecting Earth’s biosphere when samples are brought back from other planetary bodies. 

“A lot of what we’re working on now is planning for Mars sample return,” he said. “Looking at my career overall, I’ll probably spend almost half of it on Mars missions and leading up to this idea of returning samples, and the value that can be provided by bringing them into Earth-based laboratories.” 

At the Jet Propulsion Laboratory (which is operated for NASA by Caltech), his group focuses on launch approval engineering, which means helping on the front end with aspects of the environmental reviews needed before a project can proceed and, on the back end, sharing public safety information around the launches and landings of missions. 

Whether it’s writing fact sheets about a mission or training spokespeople on how to share information with the public in engaging ways, Isbell said most of his job is behind-the-scenes, preparing for the tough questions and explaining the “why” behind each project.

“A lot of what I do is to try to explain potential hazards and how we’re handling them,” he said. “My job is to frame these things correctly and train people to talk about them effectively, and anticipate what people’s questions might be. It’s a lot of strategy—what might people be concerned about with this mission or this activity, and how can we address those concerns with as much detail as people can absorb.”

It’s been many years since Isbell was a journalism student at Illinois, learning from professors like Bob Reid and Tom Littlewood, but their teachings about investigative reporting and journalism ethics remain useful in his career today. Isbell also credits Michael Lembeck, an associate professor in the University’s Department of Aerospace Engineering, and a graduate student in the department at the time, for helping kickstart his writing career by encouraging a story on a student design project that led to Isbell’s first published story.

Isbell enjoys staying involved with the University, sharing his knowledge with students as a guest panelist for one of the first virtual Media Career Nights in 2020 and consulting with faculty about the structure of the new master’s in journalism track with a focus on science and technology. 

His passion for science doesn’t disappear at the end of a workday. Every couple of months, he hosts a family-friendly “space night” at a nearby brewery, where he brings out a telescope to view the moon and planets with the community. 

Isbell or a colleague talk about recent scientific accomplishments and exciting developments in space. About 30 to 40 people usually show up, filled with excitement and interest about the various topics.  

“I think [space exploration] is inspirational to people. It’s why I have the career that I have, and do what I do,” he said. 

Isbell is still captivated by space and feels grateful his job as a science writer allows him to be immersed in that world every day. 

“It is amazing to be involved in this stuff,” he said. “The science questions are the biggest ones that we can ask. ‘Are we alone in the universe, or least in the solar system?’ It’s kind of an interesting answer either way.”

Advertising alum Ben Behrman promoted to CEO of major Chicago ad agency

Ben Behrman (BS ’09, advertising) was recently promoted to chief executive officer of Schafer Condon Carter, a major ad agency based in Chicago. 

Behrman, a 14-year SCC veteran, joined the independent company as an intern in May 2009. He worked his way up from there, holding a variety of positions including account executive, director of digital strategy, and president and chief operating officer before being named CEO in January 2024. 

At SCC, Behrman has led campaigns for notable clients including Redbox, Kerrygold, and National Pork Board.

Behrman

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