Excerpts from ‘Engaging in a Divided Society’



On February 25, 2025, the Suburban Illini Club hosted the College of Media for “Engaging in a Divided Society: Lessons from Journalism,” a panel discussion on how to engage with others in an age of polarization.

Panelists from Engaging in a Divided Society

Moderated by College of Media Dean Tracy Sulkin, panelists included journalism faculty and alumni: 

  • Leon Dash, Professor and Swanlund Chair, Department of Journalism; 1995 Pulitzer Prize Winner for Explanatory Reporting while at The Washington Post
  • Colleen King, Clinical Assistant Professor, Department of Journalism; Director of the Richard and Leslie Frank Center for Leadership and Innovation in Media; former Executive Producer for MSNBC’s The 11th Hour with Brian Williams  
  • Dan Balz (BS ’68, MS ’72, journalism), Chief Correspondent at The Washington Post covering national politics, the presidency and Congress
  • Stephanie Lulay (BS ’08, journalism), Executive Editor and Co-Founder, Block Club Chicago, an award-winning, reader-funded nonprofit newsroom focused on Chicago’s neighborhoods

The webinar was a continuation of a College of Media series launched in Fall 2024 called “Bridging Divides: Conversations on Media and Disagreement.” 

Read excerpts from “Engaging in a Divided Society” below. Note: Answers have been condensed for length and clarity.


Sulkin: It strikes me that a threshold that we discuss a lot is the lines between news versus commentary. And many see the lines between those two as becoming increasingly blurred. I wonder what your thoughts are about the extent to which that seems a useful theoretical divide, and then what the consequences are of the blurring of those lines.

Dash: News columns are very clear that they are news columns, and I try to point that out to the students, in terms of understanding what a news column is. An opinion column is very, very different from a news column, in which you have a lot of leeway to express your opinion. I think social media has blurred the lines between what is considered news and what is considered an opinion. But I think the conventional publications have continued to distinguish between the two and keep them separated.

Lulay: I think Twitter/X and TikTok are full of opinions. We’re in a period where newsrooms are rapidly disappearing and we’re in an era that the world really needs more truth tellers. Something I’ve seen, engaging with readers for a long time, is that readers on the whole really aren’t able to distinguish between news-driven reporting and opinions on the Op-Ed page, and I think that that damages trust.

Balz: One of the things we’ve noticed is that commentary and opinion writing draws a huge audience. And we know that because of the siloed nature of how people get their news, that people seek out opinion journalism that conforms with their points of view. And in the in the digital age, particularly when you’re looking at a homepage for—whether it’s the Washington Post or the New York Times or the Wall Street Journal—the commentary pieces are right there smack next to the news pieces. In a printed paper, the opinion pages are in a separate place. They’re clearly marked. But in a sense the, the presentation has helped to blur the lines.

Sulkin: We’ve been talking about the public’s trust in the news and looking at polling about what people think about the media. There’s been a slow decline in trust in all sorts of institutions over the past several decades, with the news media being part of that. Pew reports that over three-quarters of Americans and majorities from both political parties think that news organizations tend to favor one side or the other. Yet large majorities also say that news coverage keeps politicians from doing things that they shouldn’t. So that scrutiny, that watchdog role, still holds. What are your views about what would help the public to regain trust, if we think it’s been lost, or where could we build on some of those pockets of trust?

Lulay: I’m really happy to be in a local newsroom these days. I think we can make a real impact in terms of trust. Trust is built from the ground up and there’s no better place to build relationships with readers than in a local newsroom. Rebuilding trust in our city is key to why Block Club was founded.

When we started this newsroom, there was a study that trust, particularly on the South and West sides of our city—these are under-resourced areas of our city—trust was at an all-time low with the media. And that was because of generations of the media either only reporting on crime or chaos that happened in those neighborhoods, if they ever showed up at all. At Block Club, instead of covering a traditional beat like courts and education in such a big city where there’s too much going on, our reporters are assigned to two to three contiguous neighborhoods. And when they’re covering a smaller area like that, they really are able to build close relationships with readers, which we believe ensures the news that we’re reporting not only reflects what they most care about, but also leads to a more accurate portrayal of their neighborhood.

King: I would say it’s very tricky because the skills that we teach our students to cover Chicago and maybe go work for Stephanie [Lulay] are not different than skills I would teach up-and-coming reporters to go work with Dan [Balz]. I think people are turning off the news in large part because it always seems like bad news right now. So perhaps we can be more creative in our angles, but I also think transparency is a big part of reporting. And being honest in what we know and what we don’t is a big part of it, too. You know, it is our job to hold people accountable; that’s why we do what we do. Hopefully over the course of time, people can see that our reporting holds up and is fact-based and we’re just trying to report the truth as best we know it.

Balz: Repairing the decline in trust is a very difficult job that we can’t do in and of ourselves as news organizations. What’s happened in terms of the decline of trust is a societal-wide problem. Just as the polarization of the country is a societal-wide problem. And it will take time to begin to overcome that. We have a role to play in that. There are things we can do about that. Colleen [King] is exactly right. Transparency is important. The idea of being open about what we know and what we don’t know is important. But we also have to do what we’ve always done, which is to be aggressive in our reporting and follow that wherever it leads us and live with the consequences of that. Our first obligation is to find the truth to the best that we can find it on any day or week.

Sulkin: We had Chuck Todd visit the College of Media in December right before he announced that he would be departing NBC News after a long career there. I think a narrative thread he was pulling was that local news is the cure to what ails the news ecosystem. I think part of the argument was that maybe if folks have the opportunity to engage with local news, that helps with some spillover to how they think about national news. But the growing news deserts mean a lot of folks don’t have local news. As we are preparing students and launching them out into their careers, Colleen and Leon, what are we doing to correct some of these news desert issues?

Dash: My emphasis with my students is fact-based reporting. It’s a no-no in my classes when they say, ‘I assume’ or ‘I think.’ I say you shouldn’t be ‘assuming’ and you shouldn’t be ‘thinking’ anything. You should know. If you don’t know, you should say you don’t know.   And transparency is a big part of that. Being honest and upfront. I don’t even know how you overcome this divide in this society today. But in terms of conventional journalism, fact-based reporting is very, very important and transparency is also very important.

King: And I would say we’re training our student journalists to learn all kinds of skills. Our students are leaving our universityknowing how to podcast and write, do audio and video journalism, and write online or for print news outlets. So they could really drop in anywhere and cover any community they want to. While we’ve got many who want to return home to the Chicagoland area, or make it big in New York or LA or Washington, we do encourage them to think about covering smaller communities— at least getting a start there—and understanding what it’s like to cover a community where you do get to know your audience and the people you’re covering and in government as well.

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Netflix director Emma Miller to be alumni speaker at Media Convocation



Netflix director Emma Miller (BS ’08, media studies) says returning to campus to speak at the 2025 College of Media Convocation ceremony feels like a full-circle moment for her.

Emma Miller

As a Media student at Illinois, she remembers renting DVDs through Netflix’s mail subscription service for her film classes.

“I could watch films on my own time, which was really exciting because there was one video shop in town and all the film students would race to check out the film,” she said.

While Netflix was a lifesaver for her as a student, her current role at the global streaming service has proven to be an even more incredible opportunity.

“It’s amazing and I’m having the best time. I really love it, and I have to say [my job] has exceeded my expectations in a lot of ways,” she said.

Miller, who was named one of The Hollywood Reporter’s “35 Rising Executives 35 and Under” in 2018, joined Netflix in 2023 as director of overall deals in the series division.

I appreciate everything Illinois did to get me here and hopefully I can give something back and inspire at least one student.

Since then, her title has changed to director of the studio scripted series division, but her role has essentially stayed the same.

Part of her job is to oversee deals with certain creative entities. For example, she covers Aggregate Films, founded by Jason Bateman (Ozark), and 21 Laps Entertainment, founded by Shawn Levy (Stranger Things).

Miller also works on ground-up development, doing first-reviews of projects and pitches from writers and producers.

“I’m basically one of the people at Netflix who buys projects and then supervises the creative development of those projects from the pitch to all the way out when it’s on the air,” she said.

Most of her work is reading first-episode scripts and giving notes to guide the writers, “almost like an editor would do in publishing.”

If Netflix picks up the series, Miller will do the same for all the episodes at the script level. While most of her work is in the creative domain, Miller also handles some business responsibilities as well. She oversees the production of projects, including budget management, hiring of actors and directors, and traveling to shoots on location to get shows up and running. She also covers technical aspects like editing sound mixes, visual effects, and film cuts. 

As Miller approaches her two-year anniversary at Netflix, she’s looking forward to the release of a few exciting projects she’s managed.

Forever, a reimagination of the 1975 novel by Judy Blume, premieres on Netflix on May 8. Black Rabbit, starring Jason Bateman and Jude Law, is awaiting an air date. Miller is also working on post-production of Man on Fire, a television remake of the 2004 film starring Denzel Washington.

“I love Netflix and I’m really enthusiastic about what we’re doing,” Miller said. “I will say it’s just really fun to know that a lot of people are going to watch your work and the kind of impact you can have on culture is thrilling.”

Miller says she first learned about the power of media and how it can shape the way you experience the world as a student at Illinois. She credits a Women in Film class for changing the course of her academic career from English to media studies (now called media and cinema studies).

Miller, who serves on the College of Media Alumni Leadership Council and won the 2023 Emerging Leader Award, continues to engage with the college as a panelist for Media Career Nights and soon, to address the College of Media’s Class of 2025.

“I appreciate everything Illinois did to get me here and hopefully I can give something back and inspire at least one student,” she said.

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Media studies scholar Denise Bielby inspired to support Ebert Center through blended gift



It’s no surprise that renowned media studies scholar and two-time University of Illinois alum Denise Bielby (BS ’71, MA ’72, ACES), Distinguished Professor of Sociology, Emerita, at the University of California, Santa Barbara, was interested in fellow alum Roger Ebert’s work and helping preserve his legacy.

Bielby, whose research focuses on the culture-producing industries of film and television, has had a long appreciation for the scholarly value that the late Roger Ebert, Pulitzer Prize-winning film critic and journalism alum, brought to film criticism.

As a major donor to the Roger Ebert Center for Film Studies—which launched in 2022 with a special video message from Martin Scorsese—Bielby offered a blended gift, which includes a multi-year current use cash gift as well as deferred estate gifts.

Bielby said it was important to support the research of faculty in the College of Media, and the training of their graduate and undergraduate students.

“Denise Bielby’s generosity is a distinct example of a transformative gift,” said Tracy Sulkin, dean of the College of Media. “The Ebert Center cements the College of Media as a supportive and enriching destination for academics pursuing film studies.”

After attending Ebertfest regularly, Bielby observed that “Roger’s thematic programming for each festival was not only intriguing, it was culturally important, and over time the scholarly value of that came into focus and relevant to how scholars understand and analyze the social value of film.”

Martin Scorsese message about Ebert Center
At the launch of the Roger Ebert Center for Film Studies at the University of Illinois on October 28, 2022, legendary filmmaker Martin Scorsese shared a recorded message. (Photo by J. Sidney Malone.)

Bielby’s own research on media fandom developed as an outgrowth to her research on the film industry.

“Because Hollywood produces culture through its products, I wanted to better understand the process of audience reception that made media so engaging,” she said. She has co-authored two books, Global TV: Exporting Television and Culture in the World Market (2008) and Soap Fans: Pursuing Pleasure and Making Meaning in Everyday Life (1995).

Since its inception, the Ebert Center has offered robust programming, including the annual Ebert Lecture in the fall, the annual Ebert Symposium in the spring with a keynote and roundtable discussions, and a curated screening series throughout the academic year. 

It also supports Ebert Center research grants and travel grants for film studies as well as the long-running Ebert Fellows Program, which selects three undergraduate students from the College of Media each year for an in-depth experiential learning opportunity.

Ebert Fellows work with advisor and mentor Michael Phillips, the film critic at the Chicago Tribune. They hone their writing and interviewing skills, sharpen their critical skills, attend film festivals, develop their podcasting skills with Chicago Public Radio and Illinois Public Media, and participate in other workshops and activities, including those in conjunction with the Ebert Center. 

In addition to supporting Media faculty and students, Bielby hopes the Ebert Center is set up to accomplish another goal: “To advance the scope of the college more broadly as it engages related disciplines, the campus at large, and society as a whole.”

The Ebert Center programming is free and open to the public. Learn more and watch recordings of past events at media.illinois.edu/ebertcenter.

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Media faculty and TAs make list of teachers ranked as excellent



Congratulations to all the College of Media faculty and teaching assistants who were ranked as excellent by their students!

Congrats!

This list is based on Instructor and Course Evaluation System questionnaire forms completed by students during the Fall 2024 semester and Winter 2024-25. Only those instructors who distributed ICES forms at least once during this time period and who released their data for publication are included in the list. View the complete list.

Note: * denotes that the instructor ratings were outstanding.

ADVERTISING

KENT BROWN – ADV 314

STEVE HALL – ADV 150

JACQUELINE HITCHON – ADV 250

SHACHAR MERON – ADV 290, 390

MICHELLE NELSON – ADV 598

*MARISA PEACOCK – ADV 491, 498

SELA SAR – ADV 550

PETER SHELDON – ADV 452

JOURNALISM

CHRISTOPHER BALL – JOUR 101, 451

LEON DASH – JOUR 482

*ALISON DAVIS – JOUR 215, 240, 340

JOSH HEUMAN – JOUR 311

ED KIESER – JOUR 427

VINCE LARA-CINISOMO – JOUR 361

CHARLES “STRETCH” LEDFORD – JOUR 215

CAROL LOMBARDI – JOUR 220

MEDIA

*DANIEL ALMANZA – MEDIA 199

EDDIE NJOROGE – MEDIA 100

MEDIA & CINEMA STUDIES

CL COLE – MACS 356

VICTOR FONT – MACS 260, 370

DORIE GEISSLER – MACS 224

JOSH HEUMAN – MACS 391

DEREK LONG – MACS 211

*JENNY OYALLON-KOLOSKI – MACS 485

STRATEGIC BRAND COMMUNICATION

*SHACHAR MERON – SBC 500

STEVE RAQUEL – SBC 502

TEACHING ASSISTANTS

C. CHICK – ADV 150

*K. COOK – ADV 250

*A. GOODREAU – ADV 150

M. KHOWAJA – ADV 150

J. LIN – ADV 360

A. LIU – ADV 250

M. LYERLA – ADV 284

*Z. RANDOLPH – ADV 360

M. ZHAO – ADV 150

*D. CARRILLO-FUCHS – MACS 101

T. CHEN – MACS 150

*J. CINTRON – MACS 101

*Y. GAO – MACS 101

W. HELMKE – MACS 260

Y. HONG – MACS 100

A. JI – MACS 100

*Y. KANG – MACS 101

K. KRISHNA – MACS 101

*G. LEONARDO – MACS 375

J. OH – MACS 100

A. PENG – MACS 101

J. ZHANG – MACS 150

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Ebertfest announces remaining films and special guests attending the 2025 festival

Director Francis Ford Coppola to participate in a virtual Q&A

Actress Jane Levy and Critics Michael Phillips, Richard Roeper, Matt Zoller-Seitz, Nell Minow, Brian Tallerico, Eric Pierson, Dion Metzger, and Brenda Butler will be attending in person
 



CHAMPAIGN, IL (April 1, 2025) — Roger Ebert’s Film Festival, also known as Ebertfest, announced today the final three films screening at this year’s festival, to be held April 23-26 at the Virginia Theatre in downtown Champaign:

  • Francis Ford Coppola’s MEGALOPOLIS
  • Walter Salles’ Academy Award-winning I’M STILL HERE
  • Lotte Reiniger’s THE ADVENTURES OF PRINCE ACHMED 

Coppola will participate in a virtual Q&A immediately following the screening of MEGALOPOLIS; Michael Barker, Co-President of Sony Pictures Classics, will discuss the Oscar-winning film I’M STILL HERE, which Sony Pictures Classics distributed domestically; and back by popular demand, The Anvil Orchestra will perform during THE ADVENTURES OF PRINCE ACHMED. 

“It is incredible that Nate Kohn and I are just as excited to present the lineup for this 26th Ebertfest as we were for the first!” said Chaz Ebert, CEO of movie review site Rogerebert.com and cofounder of Ebertfest. “What Roger said about movies being a machine that generates empathy is so true. My heart swells with emotion in anticipation of the films and guests who will join us. And I look forward to sharing this communal film experience with our Ebertfest audience. Roger, we thank you!”

“Echoing Chaz, this year’s lineup is one of the most exciting we’ve ever had,” said Nate Kohn. “There will be lots to celebrate in Champaign this year, and I know Roger would be very proud to see how his festival continues to grow.”

Megalopolis poster

MEGALOPOLIS is a Roman Epic set in an imagined Modern America. The City of New Rome must change, causing conflict between Cesar Catilina (Adam Driver), a genius artist who seeks to leap into a utopian, idealistic future, and his opposition, Mayor Franklyn Cicero (Giancarlo Esposito), who remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero (Nathalie Emmanuel), the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

The film was nominated for multiple awards and had its world premiere at the 77th Cannes Film Festival in 2024. 

“Francis Ford Coppola has once again given us big ideas to digest,” said Chaz Ebert, “Are the characters in Megalopolis akin to those in Rome before its collapse, or can we find some redemption in acts seemingly small, but that portend hope for the future. Does Coppola’s film hold a mirror up to today’s society? And if so, does this master director give us a roadmap to avoid similar obstacles? We will eagerly pose these questions and others when he appears after the screening of this gorgeously shot film.”

I'm Still Here poster

I’M STILL HERE is set in Brazil, 1971, as it faces the tightening grip of a military dictatorship. Eunice Paiva, a mother of five children, is forced to reinvent herself after her family suffers a violent and arbitrary act by the government. The film is based on Marcelo Rubens Paiva’s biographical book and tells the true story that helped reconstruct an important part of Brazil’s hidden history.

The film had its world premiere at the 81st Venice International Film Festival in 2024 where it was critically acclaimed and received the Best Screenplay Award. I’M STILL HERE, which is certified fresh on Rotten Tomatoes with a score of 97%, has continued winning over audiences globally and earned 69 nominations and 49 awards including a Golden Globe Award and the Best International Feature Film Academy Award, the first-ever Brazilian produced film to win an Academy Award. 

“Through Fernanda Torres’ formidable presence, the deliberate I’M STILL HERE, a film that locates further meaning in the face of Brazil’s present Far-Right wave, remains in the heart long after the picture fades,” said Robert Daniels in his 4-star review for RogerEbert.com.

The Adventures of Prince Achmed poster

THE ADVENTURES OF PRINCE ACHMED is a fantasy animated film from 1926 that tells the story of a handsome prince with a flying horse who befriends a witch, meets Aladdin, and battles demons to win a princess’ heart. The screening will feature a performance from Ebertfest’s audience favorite group The Anvil Orchestra. 

Newly announced guests include actress Jane Levy (A LITTLE PRAYER), and critics Michael PhillipsRichard RoeperMatt Zoller-SeitzNell MinowBrian TallericoEric PiersonDion Metzger, and Brenda Butler.

As previously announced, the 2025 Roger Ebert’s Film Festival will open with a new 70mm print of the Western classic THE SEARCHERS (1956), starring John Wayne and Natalie Wood on Wednesday, April 23. Additionally, Guy Maddin’s RUMOURS will screen, and Todd Phillips’ THE HANGOVER will close out the festival on Saturday, April 26. The festival recently announced a 40th anniversary screening of Susan Seidelman’s DESPERATELY SEEKING SUSAN, 35MM screenings of both Azazel Jacobs’ HIS THREE DAUGHTERS and Barbara Kopple’s HARLAN COUNTY U.S.A., and screenings of Baltasar Kormákur’s TOUCH, Angus MacLachlan’s A LITTLE PRAYER, and David Fortune’s COLOR BOOK.

Ebertfest tickets and passes are currently available to purchase online or by calling the Virginia Theatre box office at 217-356-9063. Individual tickets to each film cost $20, while festival passes to see all films cost $200, with both including reserved seating. Four-film bundles are available for $65.

2025 Ebertfest Film Schedule

WEDNESDAY, APRIL 23
6:30 p.m.: The Searchers

THURSDAY, APRIL 24
9:00 a.m.: Megalopolis
1:30 p.m.: Desperately Seeking Susan
5:00 p.m.: Harlan County U.S.A.
9:30 p.m.: His Three Daughters

FRIDAY, APRIL 25
10:30 a.m.: A Little Prayer
2:30 p.m.: I’m Still Here
7:30 p.m.: Rumours

SATURDAY, APRIL 26
9:00 a.m.: The Adventures of Prince Achmed
11:30 a.m.: Color Book
4:00 p.m.: Touch
9:00 p.m.: The Hangover

Roger Ebert was a Pulitzer Prize-winning film critic for the Chicago Sun-Times, a University of Illinois journalism alumnus, and an Urbana native.

Chaz Ebert is also the author of the indie bestseller It’s Time to Give A FECK: Elevating Humanity through Forgiveness, Empathy, Compassion, and Kindness.

Ebertfest is hosted by Chaz Ebert and Nate Kohn, the festival director since the very beginning, in collaboration with the College of Media at the University of Illinois Urbana-Champaign.

For additional information, including the full festival schedule, please visit https://ebertfest.com/, and follow us on social media:

To become a supporting Festival Sponsor please contact Molly Cornyn, the Festival Coordinator, at mcornyn2@illinois.edu

###

PRESS CONTACTS:

Molly Cornyn
mcornyn2@illinois.edu
217-333-1590

Lee Meltzer
Lee@LeeMeltzerConsulting.com
551-208-8617

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Editor’s Note: Although originally announced as attending, unfortunately, actress Carrie Coon had to cancel attending Ebertfest with her film His Three Daughters. Director Azazel Jacobs will still be participating in the post-screening discussion.

Journalism alumna Marilynn Preston supports well-being initiatives for College of Media students



From her standing desk at her home office in Northern California, Marilynn Preston (BS ’67, journalism)—journalist, healthy lifestyle expert, and Emmy-winning TV producer—spoke with zeal about the role health and wellness has played in her life and why she’s inspired to share her passion with students in the College of Media. 

Preston in sunglasses

“Media is so changed now as a profession. It’s a high-risk, high-stress profession that you have to train for in a way that just didn’t exist before,” Preston said. “If journalism students can learn these valuable self-care skills in college, calming their minds and strengthening their ability to focus and perform under pressure, they can benefit and thrive for the rest of their life.” 

Preston’s generous support of a multi-year series on wellness and self-care is aimed at helping nurture students while on campus and prepare them for a career in a demanding field that can take a physical and emotional toll on its professionals. 

Deadlines, covering traumatic events, and avoiding burnout are just a few of the stressors a journalist may face throughout their career.

I”m just so grateful that the College of Media sees the value of self-care as a way to deal with anxiety in these destabilizing times. I hope to see the self-care program grow and pick up steam. It’s a great new initiative and I’m excited to see where it goes.

So far, two wellness events have been organized through the Richard and Leslie Frank Center for Leadership and Innovation in Media—a well-being open house for students in Spring 2024 and a breath workshop and presentation with James Nestor, author of Breath: The New Science of a Lost Art, in Fall 2024. 

Another wellness event for Media students is planned for this spring, focusing on the power of nasal breathing and stress reduction. College of Media faculty and staff are also welcome at these events. 

“I’m just so grateful that the College of Media sees the value of self-care as a way to deal with anxiety in these destabilizing times. I hope to see the self-care program grow and pick up steam. It’s a great new initiative and I’m excited to see where it goes,” she said.  

Preston- headshot

Preston is a verifiable expert when it comes to the subject of health and personal well-being.

She’s the creator of Energy Express, America’s longest-running syndicated fitness column that ran for 43 years, reaching millions of newspaper readers across the country. She’s had three books published, with her most recent deemed an Amazon best-seller. 

She also created, wrote, and produced the Energy Express TV series beginning in the 1990s that ran in 120 cities, won two Emmys, and a Women’s Sports Foundation award.

A trailblazer in her field, Preston started writing about personal wellness and the mind-body connection as a feature writer at the Chicago Tribune, back when life-changing practices like meditation and yoga were just beginning to capture people’s attention.

“In Chicago in 1976, yoga and yogurt were interchangeable terms,” she said. 

Preston says her columns were about “having fun and staying healthy,” and they covered a myriad of topics, from injury prevention and weight-loss to integrative medicine and holistic healthcare. 

She shares the same ideas in her books, Dear Dr. Jock: The People’s Guide to Sports and Fitness; Work Well, Be Well; and All Is Well: The Art {and Science} of Personal Well-being. Her publisher asked her to write a second edition of All Is Well during Covid and now Preston considers it her most valuable book. “Covid turned our lives upside down, and learning to prioritize self-care is something we’re all still struggling with.” 

K9 Huff at a College of Media well-being open house
UIPD Therapy K9 Huff was a featured attraction at the College of Media Well-Being Open House for students in Spring 2024. (Photo by Nathan Gonzalez, photography intern.)

Preston recommends simple routines like walking outdoors in nature and even taking quick naps, habits that have been measured and proven to be beneficial to a person’s health.

In recent years, she’s discovered that breathwork and meaningful in-person connections can have a huge impact on overall health and wellness, much greater than scientists ever realized. 

“Find a way to experience fun, joy, and pleasure because if you value your own well-being, that becomes your North Star for life” she said. 

Preston- yoga

In addition to supporting College of Media students, Preston also serves on the board of a nonprofit organization in Chicago called Girls in the Game, which works with girls in under-resourced neighborhoods to provide them with exposure to sports, fitness, leadership, and team play. Recently, she’s helped GIG focus on teaching self-care skills to the girls—practices like breathing, journaling, and mindful movement—and the girls are very happy to have these new ways to handle stress and anxiety.  

While Preston recognizes the current journalism landscape presents new and difficult challenges, she’s still thinks “it’s a wonderful time to be a journalist because the country has to heal, and journalists can help with that.” 

Speaking from her own personal experience, Preston is grateful journalism provided her with the opportunity to educate so many people throughout her career and, hopefully, transform lives. 

“Journalism can be a wonderful ticket to ride and see the world and write about things you care about and help people build better lives,” Preston said. “Helping others get through these confusing times is more important than ever.” 

For more information and writings from Preston, visit marilynnpreston.com

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Public Relations Student Society of America at Illinois back in action thanks to student-led mission



The Public Relations Student Society of America at Illinois is back after a four-year hiatus, thanks to a group of determined students who revitalized the local chapter.

PRSSA at adv event
Pictured at right, Jordan Butler, a senior in journalism and president of PRSSA at Illinois, with other members at Advertising + You in Fall 2024.

Jordan Butler, a senior in journalism and president of PRSSA at Illinois, said a call to action in a College of Media newsletter last spring led to a group chat amongst students which ultimately became the impetus for the official return of PRSSA at Illinois in Fall 2024. The local chapter had been inactive since 2019.

“Over [this past] summer, a couple of [us] took on [the executive board positions] and then this semester and last semester we started to really build out more. We’ve been working to gain more members and to let people know who we are, and [organizing] different activities and events across campus,” Butler said.

The Illinois chapter of PRSSA was originally formed in 2012 to offer students the chance to work with real clients, put together campaigns, and network with industry professionals.

The goal today remains similar, says Butler, who noted the group’s emphasis on helping students learn how to communicate effectively.

I think people have this very rigorous idea of what PRSSA is in the sense of [it being] very structured or business-like, but it’s so much more than that. And there’s so much that falls under the realm of PR that I think you don’t know it until you do it, until you try it, until you talk about it.

However, Butler also hopes its members “have found different things that [are] fun or interesting through public relations that perhaps they weren’t maybe as interested in when they walked through our doors or started with us.”

Butler can attest to how PRSSA at Illinois has helped her improve her communications skills. As an introverted person, Butler admits she doesn’t always feel comfortable reaching out to others first or speaking to a crowd, but her experience as president has allowed her to hone that skill.

“I’ve really learned how to kind of put myself out there in those positions and network with people and do a lot of public speaking, even if it makes me really nervous,” said Butler, who also works as a communications and social media intern at Research Park, a technology hub for corporate research, development operations, and startup companies at the University of Illinois Urbana-Champaign.

Currently, PRSSA at Illinois includes a small membership of less than 15 students, but Butler hopes to see that number go up in time.

“We’re just trying to get our names out there as much as possible but also focus on what our members are really interested in doing and what they’re really interested in learning about,” she said.

PRSSA at Illinois, which is open to all majors, holds meetings every Wednesday from 5:30-6:30 p.m. in 31 Gregory Hall.

In response to student interest, a public speaking workshop will be held soon.

Butler encourages any students interested in PRSSA to join a workshop or a meeting to talk to current members and ask questions.

“I think people have this very rigorous idea of what PRSSA is in the sense of [it being] very structured or business-like, but it’s so much more than that. And there’s so much that falls under the realm of PR that I think you don’t know it until you do it, until you try it, until you talk about it,” she said.

For more information about PRSSA at Illinois, check out their Instagram page @illinoisprssa.

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Ebertfest adds Barbara Kopple’s Academy Award-winning ‘Harlan County U.S.A.,’ Angus MacLachlan’s ‘A Little Prayer,’ and David Fortune’s ‘Color Book’

Actors David Strathairn, William Catlett, and Jeremiah Daniels, two-time Academy Award-winning documentarian Barbara Kopple, and directors Angus MacLachlan and David Fortune join this year’s star-studded lineup



CHAMPAIGN, IL (February 20, 2025) — Roger Ebert’s Film Festival, also known as Ebertfest, announced today the addition of three new films to this year’s festival, to be held April 23-26 at the Virginia Theatre in downtown Champaign:

  • Barbara Kopple’s Academy Award-winning HARLAN COUNTY U.S.A.
  • Angus MacLachlan’s A LITTLE PRAYER starring David Strathairn, Jane Levy, Celia Weston, Will Pullen, Anna Camp, and Dascha Polanco
  • David Fortune’s COLOR BOOK starring William Catlett, Brandee Evans, Terri J. Vaughn, and Jeremiah Daniels
Harlan County USA

Kopple, MacLachlan, Fortune, Strathairn, Catlett, and Daniels will all be making their Ebertfest debuts with each receiving a coveted “Golden Thumb Award” following their screenings.

HARLAN COUNTY U.S.A., winner of Best Documentary at the 1977 Academy Awards, will include a post-screening discussion with director Barbara Kopple. The film, which received critical acclaim and currently holds a 100% Rotten Tomatoes Score, had its world premiere at the 14th New York Film Festival in 1976.   

In this documentary about labor tension in the coal-mining industry, Kopple films a strike in rural Kentucky. After the coal miners at the Brookside Mine join a union, the owners refuse the labor contract. Once the miners start to strike, the owners of the mine respond by hiring scabs to fill the jobs of the regular employees. The strike, which lasts more than a year, frequently becomes violent, with guns produced on both sides, and one miner is even killed in a conflict.

“The film retains all of its power, in the story of a miners’ strike in Kentucky where the company employed armed goons to escort scabs into the mines, and the most effective picketers were the miners’ wives—articulate, indomitable, courageous,” said Roger Ebert in his 4-star review.  

A LITTLE PRAYER will be complemented with a post-screening discussion with director, writer, and producer Angus MacLachlan and actor David Strathairn. The film had its world premiere at the 2023 Sundance Film Festival. 

A Little Prayer film still

The film follows a man who tries to protect his daughter-in-law when he discovers his son is having an affair. A LITTLE PRAYER touches upon a variety of issues in a changing modern South, including a woman’s volition over her own body, war veterans grappling with PTSD, and the limits of patriarchal interference. 

“Our festival line-up has been carefully curated to give our loyal Ebertfest audiences films that will make them laugh and may make them cry, but even more important, these films and our guests will serve to confirm that we are all in this together,” says Ebertfest Co-Founder Chaz Ebert. “We gather to understand each other better, but also to just have fun!”

COLOR BOOK will be presented with a post-screening conversation with director David Fortune, cast members William Catlett and Jeremiah Daniels, and producer Kiah Clingman. The film had its world premiere at the 2024 Tribeca Festival in NYC. COLOR BOOK’s Ebertfest debut will be sponsored by the Alliance for Inclusion and Respect. 

Color Book film poster

COLOR BOOK tells the story of single father Lucky who, following his wife’s recent passing, finds himself navigating the challenges of raising his son Mason, who has Down syndrome. Seeking solace, Lucky and Mason embark on a journey across Metro Atlanta to attend their first baseball game together. Throughout their day-long trip, they encounter Murphy’s Law. From car breakdowns to missed trains, the duo faces a series of obstacles that test their relationship with each other. Despite the setbacks, they persevere, determined to reach the game. COLOR BOOK provides an intimate portrait of a father and son while exploring the experiences of raising a child with Down syndrome, highlighting the strength and resilience that emerge from their bond.

The 2025 Roger Ebert’s Film Festival will open with a new 70mm print of the Western classic THE SEARCHERS (1956), starring John Wayne and Natalie Wood on Wednesday, April 23. Additionally, Guy Maddin’s RUMOURS will screen, and Todd Phillips’ THE HANGOVER will close out the festival on Saturday, April 26. The festival recently announced a 40th anniversary screening of Susan Seidelman’s DESPERATELY SEEKING SUSAN, as well as screenings of Azazel Jacobs’ HIS THREE DAUGHTERS and Baltasar Kormákur’s TOUCH. 

Additional updates to the festival program will be announced in the coming weeks.

Ebertfest passes are currently available to purchase online or by calling the Virginia Theatre box office at 217-356-9063. Individual festival passes to see all films cost $200, which includes reserved seating.

Roger Ebert was a Pulitzer Prize-winning film critic for the Chicago Sun-Times, a University of Illinois journalism alumnus, and an Urbana native.

Chaz Ebert is also the author of the indie bestseller It’s Time to Give A FECK: Elevating Humanity through Forgiveness, Empathy, Compassion, and Kindness.

Ebertfest is hosted by Chaz Ebert and Nate Kohn, the festival director since the very beginning, in collaboration with the College of Media at the University of Illinois Urbana-Champaign.

For additional information, please visit ebertfest.com, and follow us on social media:

Facebook: https://www.facebook.com/Ebertfest/
Instagram: https://www.instagram.com/ebertfest/ 

To become a supporting Festival Sponsor please contact Molly Cornyn, the Festival Coordinator, at mcornyn2@illinois.edu

Ebert Symposium 2025 focuses on Artificial Intelligence



The 2025 Chaz and Roger Ebert Symposium, presented by the Roger Ebert Center for Film Studies, will address “Artificial Intelligence Imagined and Realized.” The Ebert Symposium’s mission this year is to bridge academic research with broader cultural conversations about the uses of artificial intelligence. 

Join us for this free two-day event on April 22-23, featuring a film screening, a keynote speaker, and a roundtable discussion. The Ebert Symposium is co-sponsored by the Institute of Communications Research.


Tuesday, April 22

Film Screening

Her movie image

7 p.m., Knight Auditorium, Spurlock Museum

Watch a screening of Spike Jonze’s award-winning film Her (2013). Jonze’s film follows the solitary life of Theodore Twombly (Joaquin Phoenix) as he begins to use the AI chat technology Samantha (voiced by Scarlett Johansson) to come to terms with the break-up of his relationship. The film melds technology and the human condition through a quiet and moving journey of self-discovery.


Wednesday, April 23

Keynote Speaker

Bukatman

9:30-10:45 a.m., Knight Auditorium, Spurlock Museum
Register to join via Zoom

“Artificial Annoyance and Augmented Hilarity: The Disordered Personalities of AI Comedy”

The Ebert Symposium keynote will be delivered by Dr. Scott Bukatman, Professor of Film and Media Studies at Stanford University, who will use science fiction literature, film, and comics to explore how AI helps reveal “the downsides of personality.”

University of Illinois Faculty Roundtable

headshot of Mike Yao
Ji
Kerr
Grosser
Markley

11 a.m.-12:30 p.m., Knight Auditorium, Spurlock Museum
Register to join via Zoom

A roundtable discussion at 11 a.m. on the intersection between science fiction and engineering. The conversation will cover the interplay within real-world AI technologies by concentrating on the portrayals of artificial intelligence in film and popular culture. This conversation will be moderated by Professor Mike Yao (Digital Media), director of the Institute of Communications Research, with panelists Professors Heng Ji (Computer Science), Alison Duncan Kerr (Philosophy), Ben Grosser (New Media), and Robert Markley (English).

Note: The second roundtable featuring Ebertfest filmmaker guests unfortunately had to be canceled.

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Media Career Services to hold first annual Media Career Week for students February 24-27



Media Career Services is holding its first annual Media Career Week, featuring workshops, guest speakers, and media professionals offering helpful insights to prepare College of Media students for a campuswide career fair as well as their post-graduation career.

Media Career Services hosts a panel with recruiters. 

Media Career Week will kick off Monday, Feb. 24, and run through Thursday, Feb. 27, culminating with the Hire Illini Career and Internship Fair, which typically attracts hundreds of employers recruiting for a wide range of jobs and internships. The event is organized by The Career Center on campus and held at the Illini Union.

Daniel Almanza, assistant director of Media Career Services, said he wanted to try something new this year, taking events that would normally be held throughout the academic semester and planning them during the same week to build momentum leading up to the main career fair held every spring at the University of Illinois. 

“What I had in mind was to offer different workshops, different opportunities for students to be able to prep for the Hire Illini Career and Internship Fair, but also to start thinking about what they want to potentially do as a career,” Almanza said. 

Media Career Services is partnering with other units on campus to put on daily events throughout Media Career Week, including The Career Center, the Media James Scholar Program, the Richard and Leslie Frank Center for Leadership and Innovation in Media, and the Roger Ebert Center for Film Studies. 

Events include resume reviews with local professionals, student internship panel, an alumni career night, and more.  

Students are encouraged to self-select which events they attend, based on their interests and needs, whether it’s talking tips, networking opportunities, or learning more about a specific field in the media industry. 

“It’s really about helping students prepare for their future career and attending events they think are going to help them ultimately at the career fair,” he said.

Almanza, who has led Media Career Services for more than three years, recently shared some of his career advice in Getting from College to Career by Lindsey Pollak. 

In the book, Almanza highlights webinar tips, provides interview recommendations, and suggests how to showcase previous experiences and skills.  

Almanza hopes the inaugural Media Career Week will help Media students become fully equipped to succeed at the annual Hire Illini and Internship Fair.

“I’m excited to do this, to see how well it works and really pilot [this program] and see if students enjoy a condensed week of professional development,” he said.

A full schedule of Media Career Week events can be found here.

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College of Media
119 Gregory Hall
810 S. Wright St.
Urbana, IL 61801
217-333-2350